PRIVATES
ONE - ON - ONE
Privates is an intimate one-on- one performance that explores Amy’s relationships with the women in her life. Privates was developed for Arches LIVE 2014 and then presented at Buzzcut 2015.
The audience member enters a tranquil and contemplative space suggestive of Amy’s mother’s salon. The space is lit by
candlelight and incense fills the air. The participant climbs the mound of pebbles to join Amy, and sits whilst Amy massages
their hands. Through evocative soundscapes and feeling the pebbles under their feet, they are transported to the shores of
Loch Lomond where Amy’s mother took her as a child.
The work welcomes the participant into a multi-sensory and tactile environment where they share an intimate experience with Amy, exploring the themes of grief, touch, love and connections.
Privates is a tender celebration of the women that remain close to you.
DYKE
MULTIMEDIA INSTALLATION
Busty babes hardcore scissoring and licking pussies: Shy young feminine bisexual led astray by sexy hot lesbian.
'DYKE' is a live art installation that investigates representations of lesbian sex. It was presented at Buzzcut 2014. In this performative exploration F M I N (Leonie Rae Gasson and Amy Cameron) negotiate their intimacy as a couple in a public space. This piece examines our preconceptions, associations and understandings of sex and what that means for these two scissor sisters – who don’t scissor.
DYKE was presented at //Buzzcut// 2014
WORK
Pleasure Machine
ONE - ON - ONE
Pleasure Machine is a one-on-one encounter that was developed as part of Pillow Talk at Sexology Season at The Arches and The Welcome Collection.
Pleasure Machine embraces sexual empowerment and self-discovery. In this intimate work, F M I N create an open and honest space where desire is celebrated. Together, the audience member and Amy create an imaginery pleasure space where anything is possible.
Amy Cameron and Audience Member
Image taken by Emily Rimmer
Image taken by Jordan Anderson
Image taken by Fiona Bennett, edited by Kenna